A | ||||
After the Wall: Art and Culture in post-Communist Europe | Bojana Pejić and David Elliot | Moderna Museet | 1999 | EXH |
Archive Fever: Uses of the Document in Contemporary Art | Okwui Enwezor | Steidel | 2008 | EXH |
Arrivals: Art from the New Europe | Suzanne Cotter, Andrew Nairne and Victoria Pomery | Modern Art Oxford/Turner Contemporary | 2007 | EXH |
Art and Utopia: Limited Action | Jean-Francois Chevrier with Elia Pijollet | MACBA | 2005 | EXH |
Art of Two Germanies/Cold War Cultures | Stephanie Barron, Sabine Eckmann, and Eckhart Gillen | New York: Abrams | 2009 | EXH |
Aspekte / Positionen: 50 Jahre Kunst aus Mitteleuropa 1949–1999 | Lóránd Hegyi | Museum moderner Kunst Stiftung Ludwig Wien | 1999 | EXH |
Ausgeträumt… | Kathrin Rhomberg | Secession | 2001 | EXH |
Altermodern: Tate Triennial 2009 | Nicolas Bourriaud | Tate Publishing | 2009 | EXH |
Ausstellung/Exhibition: Documenta 11_Platform 5 | Gerti Fietzek and Christian Rattenmeyer | Ostfildern-Ruit: Hatje Cantz | 2002 | EXH |
2000+ Arteast Collection: The Art of Eastern Europe in Dialogue with the West, From the 1960s to the Present, Exhibition of works for an emerging collection | Zdenka Badovinac | Moderna galerija | 2002 | EXH |
Afro Modern: Journeys through the Black Atlantic | Tanya Barson and Peter Gorschluter | Tate Publishing | 2010 | EXH |
A.C.A.D.E.M.Y. | Angelika Nollert, Irit Rogoff, Bart De Baere, Charles Esche, et al. | Revolver | 2006 | EXH |
B | ||||
The Balkans Trilogy | René Block and Marius Babias | Kunsthalle Fridericianum & Silke Schreiber | 2007 | EXH |
Baghdad Calling | Geert van Kesteren | episode publishers | 2008 | EXH |
Berlin 37 Räume | Klaus Biesenbach | Kunst-Werke | 1992 | EXH |
Beyond Belief: Contemporary Art from East Central Europe | Laura J. Hoptman et al. | Museum of Contemporary Art | 1995 | EXH |
1st Berlin Biennale: Berlin/Berlin | Miriam Wiesel, Klaus Biesenbach, Hans-Ulrich Obrist, and Nancy Spector | Ostfildern-Ruit: Hatje Cantz | 1998 | EXH |
Black Male: Representations of Masculinity in Contemporary American Art | Thelma Golden | Harry N. Abrams | 1994 | EXH |
C | ||||
Capital (it fails us now): (oe critical readers in visual culture #6) | Simon Sheikh | b_books | 2006 | EXH |
Catalog International Documentary Film Festival (IDFA) 2008 | Andrew Maggiore and Nicole Sante | Pantheon Drukkers | 2008 | EXH |
Cork Caucus: On art, possibility & democracy | Shepard Steiner and Trevor Joyce | National Sculpture Factory | 2006 | EXH |
Cities on the move | Hou Hanru and Hans Ulrich Obrist | Ostfildern-Ruit: Hatje Cantz | 1997 | EXH |
Cities on the Move | Hans Ulrich Obrist | Capc Musee d’ art contemporain de Bordeaux | 1998 | EXH |
Culture in Action: Public Art Program of Sculpture Chicago | Mary Jane Jacob, Michael Brenson, and Eva M. Oldson | Bay Press | 1995 | EXH |
D | ||||
Der zerbrochene Spiegel: Positionen zur Malerei | Kasper König and Hans Ulrich Obrist | Kunsthalle Wien | 1993 | EXH |
Documenta IX | Roland Nachtigaller and Nicola von Velsen | Edition Cantz | 1992 | EXH |
Der Riss im Raum Dokumentation | Uta Gnewuch | Guardini Stiftung | 1995 | EXH |
Documenta 11_Platform 5 | Okwui Enwezor | Ostfildern-Ruit: Hatje Cantz | 2002 | EXH |
Desacuerdos 5. Cultura popular | Pedro G. Romero | MACBA | 2009 | EXH |
Der Riss im Raum: Positionen der Kunst seit 1945 in Deutschland, Polen, der Slowakei und Tschechien | Matthias Flügge and Jiri Svestka | Guardini Stiftung/Verlag der Kunst | 1994 | EXH |
The Decade Show: Frameworks of Identity in the 1980s | Thelma Golden, David Deitcher, and Guillermo Gomez-Pena. | New Museum of Contemporary Art | 1990 | EXH |
Desacuerdos 4. Cine y Video | Jesus Carrillo | MACBA | 2007 | EXH |
E | ||||
Europa, Europa: Das Jahrhundert der Avantgarde in Mittel- und Osteuropa | Ryzard Stanislawski and Christoph Brockhaus | Hatje Cantz Verlag | 2004 | EXH |
F | ||||
Fundamentalisms of the New Order | Charlotte Brandt, Lars Bang Larsen, Jean Charles Massera et al. | Berlin/New York: Lukas & Sternberg | 2004 | EXH |
Farewell to Post-Colonialism: Querying the Guwangzhou Triennial 2008, | Sarat Maharaj | Printed Project Issue 11 | 2009 | EXH |
Face á l’histoire: l’artiste moderne devant l’événement historique 1933–1996 | Jean-Paul Ameline | Flammarion | 1996 | EXH |
Freeze | Damien Hirst and Ian Jeffrey | Olympia and York Canary Wharf and Docklands Development Corporation | 1988 | EXH |
Form Specific Arteast Exhibition | Tamara Soban | Revolver | 2003 | EXH |
G | ||||
Global Feminisms | Maura Rielly and Linda Nochlin | Merrell Publishers Ltd | 2010 | EXH |
Global Conceptualism: Points of Origin, 1950s–1980s | Jane Farver, et al. | New York: Artdata/Queens Museum of Art | 1999 | EXH |
4th Gwangju Biennale: P_A_U_S_E, | 2002 | EXH | ||
H | ||||
Horizons of Reality | Bart De Baere, Viktor Misiano, Yonah Foncé-Zimmerman , et al. | MuHKA | 2003 | EXH |
3rd Havana Biennial: Tercera Bienal de la Habana ’89 | Gerardo Mosquera | Centro Wilfredo Lam | 1989 | EXH |
I | ||||
9th International Istanbul Biennial Guide : Istanbul | Deniz Unsal | Istanbul Foundation for Culture and Arts | 2005 | EXH |
It's a Better World: Russischer Aktionismus Und Sein Kontext – Russian Actionism and Its Context | Joseph Backstein, Johanna Kandle, Kikhail Ryklin et al. | Secession | 1997 | EXH |
Inklusion/Exklusion: Probleme des Postkolonialismus und der globalen Migration | Peter Weibel and Slavoj Žižek | Passagen Verlag | 1997 | EXH |
International 2002: Liverpool Biennial | Lewis Biggs | Liverpool Biennial of Contemporary Art | 2002 | EXH |
If You Lived Here: The City in Art, Theory, and Social Activism. A Project by Martha Rosler 1991) (Dia Art Foundation Discussions in Contemporary Culture, Volume 6) | Brian Wallis | New Press | 1998 | EXH |
Inside Out: New Chinese Art | Gao Minglu | University of California Press | 1998 | EXH |
Interpol: The Art Exhibition Which Divided East and West | Eda Cufer and Viktor Misiano | Ljubljana & Moscow: IRWIN and Moscow Art Magazine | 2000 | EXH |
3rd International Istanbul Biennial : Production of Cultural Difference | Vasif Kortun | Istanbul Foundation for Culture and Arts | 1992 | EXH |
4th International Istanbul Biennial : ORIENT/ATION – The Vision of Art in a Paradoxical World | René Block | Istanbul Foundation for Culture and Arts | 1995 | EXH |
11th International Istanbul Biennial : What Keeps Mankind Alive? The Guide | What, How and for Whom/WHW | Istanbul Foundation for Culture and Arts | 2009 | EXH |
In Defense of Globalization | Jagdish Bhagwati | Oxford University Press | 2007 | EXH |
11th International Istanbul Biennial: What Keeps Mankind Alive? The Texts | WHW/What, How and for Whom? | Istanbul Foundation for Culture and Arts | 2009 | EXH |
10th International Istanbul Biennial : Not Only Possible but Also Necessary. Optimism in the Age of Global War | Ilkay Balic Ayvaz | Istanbul Foundation for Culture and Arts | 2007 | EXH |
J | ||||
Jurassic Technologies Revenant: 10th Biennale of Sydney | Lynne Cook | Biennale of Sydney | 1996 | EXH |
K | ||||
Kunst, Europa: 63 deutsche Kunstvereine zeigen Kunst aus 20 Ländern | Margarethe Jochimsen, Tilman Osterwold, Jiri Svestka, et al. | Verlag Hermann Schmidt | 1991 | EXH |
Kollektive Kreativität/Collective Creativity [DE/EN] | What, How and for Whom/WHW | Revolver | 2005 | EXH |
Kontext Kunst: Kunst der 90er Jahre | Peter Weibel | DuMont | 1993 | EXH |
L | ||||
Lotte or the Transformation of the Object = Lotte oder der Transformation des Objekts | Clémentine Deliss | Graz: Akademische Druck- u. Verlagsanstalt | 1990 | EXH |
Laboratorium | Barbara Vanderlinden and Hans-Ulrich Obrist | DuMont | 2001 | EXH |
Partage d'exotismes: Cinquième biennale d'art contemporain de Lyon | Tony Garnier | Réunion des Musées Nationaux | 2000 | EXH |
M | ||||
Manifesta 2 | Agence luxembourgeoise d`action culturell a.s.b.l. and Casino Luxembourg-Forum d`art contemporain | Luxembourg: Agence luxembourgeoise d`action culturell a.s.b.l. and Casino Luxembourg-Forum d`art contemporain | 1998 | EXH |
Manifesta 3: Borderline Syndrome. Energies of Defence | Igor Zabel | Cankarjev dom, Cultural and Congress Centre | 2000 | EXH |
Moneynations@access | Marion von Osten | Shedhalle | 1998 | EXH |
Making Things Public: Atmospheres of Democracy | Bruno Latour and Peter Weibel | ZKM and MIT Press | 2005 | EXH |
Mas alla del documento: Versiones del Sur | Monica Amor, Octavio Zaya et al. | Museo Nacional Centro de Arte Reina Sofia | 2000 | EXH |
Money Nations: Constructing the Border – Constructing East West | Marion von Osten | edition selene | 2002 | EXH |
Manifesta 1 | Miriam Beerman | Manifesta & IDEA Books | 1996 | EXH |
Magiciens de la Terre | Jean-Hubert Martin | Editions du Centre Pompidou | 1989 | EXH |
Manifesta 4 (Supplementary Pack) | Meike Behm | 2002 | EXH | |
Metropolis: International Art Exhibition Berlin | Christos M. Joachimides and Norman Rosenthal | Rizzoli | 1991 | EXH |
Manifesta 5 | Cecilia P. Alemani, et al. | Barcelona: Actar | 2004 | EXH |
Manifesta 4 (Catalog) | Meike Behm, et al. | Ostfildern-Ruit: Hatje Cantz | 2002 | EXH |
Manifesta 4 (guide) | Meike Behm, Uta Nusser | Ostfildern-Ruit: Hatje Cantz | 2002 | EXH |
MigMap: Governing Migration | Marion von Osten, et al. | 2006 | EXH | |
N | ||||
The Need to Document | Vit Havranek, et al. | JRP Ringier | 2005 | EXH |
NowHere | Lars Nittve, et al. | Louisiana Museum of Modern Art | 1996 | EXH |
Nuit blånche, Scènes nørdiques: les années 90 | Paris Musées | Paris Musées | 1998 | EXH |
O | ||||
The Other Story: Afro-Asian Artists in Post-War Britain | Rasheed Araeen | South Bank Centre | 1989 | EXH |
Out of Actions: Between Performance and the Object, 1949–1979 | Paul Schimmel, Russel Ferguson, and Kristine Stiles | Thames and Hudson, | 1998 | EXH |
Oh boy, it’s a girl!: Feminismen in der Kunst | Hedwig Saxenhuber and Astrid Wege | Kunstverein München | 1994 | EXH |
P | ||||
Privatisierungen – Zeitgenössische Kunst aus Osteuropa | Boris Groys | Revolver Verlag | 2004 | EXH |
The Populism Catalogue | Lars Bang Larsen, Cristina Ricupero, and Nicolaus Schafhausen | Berlin/New York: Lukas & Sternberg | 2005 | EXH |
Places with a Past: New Site-specific Art at Charleston's Spoleto Festival | Christian Boltanski, Mary Jane Jacob, and Theodore Rosengarten | Rizzoli | 1991 | EXH |
Projekt Migration | Marion von Osten and Kathrin Rhomberg | DuMont | 2005 | EXH |
Progressive Nostalgia | Viktor Misiano and Marco Bazzini | Centro per l'Arte Contemporanea Luigi Pecci | 2007 | EXH |
Projekt Migration Austellungsführer | Marion Ritter | Kölnischer Kunstverein | 2005 | EXH |
Politics/Poetics: Documenta X – the book | Catherine David and Jean-Francois Chevrier | Ostfildern-Ruit: Hatje Cantz | 1997 | EXH |
Promises of the Past: A Discontinuous History of Art in Former Eastern Europe | Christine Macel and Nataša Petrešin | Centre Pompidou and JRP Ringier | 2010 | EXH |
Parisien(ne)s | Hou Hanru | Camden Arts Centre and Institute of International Visual Arts (InIVA) | 1997 | EXH |
The Populism Reader | Lars Bang Larsen, Cristina Ricupero, and Nicholas Schafhausen | Berlin/New York: Lukas & Sternberg | 2005 | EXH |
R | ||||
Rites of Passage: Art for the End of the Century | Stuart Morgan and Frances Morris | Tate Gallery Publications | 1995 | EXH |
S | ||||
Sex & Space | Marion von Osten | Shedhalle | 1996 | EXH |
60 Jahre, 60 Werke: Kunst aus der Bundesrepublik Deutschland 1949 bis 2009 | Walter Smerling | Wienand Verlag | 2009 | EXH |
“SOWJETUNION.” 63 deutsche Kunstvereine zeigen Kunst aus 20 Ländern: Kunst, Europa | Margarethe Jochimsen, Tilman Osterwold, Jiri Svestka, et al. | Verlag Hermann Schmidt | 1991 | EXH |
22nd São Paulo Biennial: Bienal Brasil Seculo XX | Nelson Aguilar | Fundação Bienal de São Paulo | 1994 | EXH |
Sensation: Young British Artists from the Saatchi Collection | Norman Rosenthal, Brooks Adams, et al. | Thames and Hudson | 1998 | EXH |
24th São Paulo Biennial: 24e Bienal de São Paulo | Fundação Bienal de São Paulo | 1994 | EXH | |
3rd Shanghai Biennale | Shanghai Art Museum | 2000 | EXH | |
The Short Century: Independence and Liberation Movements in Africa, 1945–1994 | Okwui Enwezor | Prestel | 2001 | EXH |
SUPERmarkt: money, market, gender politics | Marion von Osten | Shedhalle | 1998 | EXH |
Sonsbeek 93 | Jan Brand, Catelijne de Muynck, and Valerie Smith | Snoeck-Ducaju & Zoon | 1993 | EXH |
T | ||||
Trade Routes – History and Geography: 2nd Johannesburg Biennale 1997 | Rory Bester and Matthew Debord | Greater Johannesburg Metropolitan Council and Prince Claus Fund for Culture and Development | 1997 | EXH |
This is the show and the show is many things | Bart De Baere, Pierre Giquel, and Dirk Pültau | S.M.A.K. | 1994 | EXH |
Traffic | Nicolas Bourriad | CAPC Contemporary Museum | 1995 | EXH |
Transnacionala: Highway Collisions Between East and West and the Crossroads of Art | Eda Cufer | Ljubljana: Koda | 2000 | EXH |
Trust (Catalogue) | 1995 | EXH | ||
Tamáss, Contemporary Arab Representations: Volume 2: Cairo | Catherine David | Witte de With | 2004 | EXH |
Traumfabrik Kommunismus/ Dream Factory Communism: Der Visuelle Kulture der Stalinzeit/The Visual Culture of the Stalin Era | Boris Groys | Ostfildern-Ruit: Hatje Cantz | 2003 | EXH |
Tamáss – Contemporary Arab Representations: Volume 1: Beirut/Lebanon | Catherine David | Fundacio Antoni Tapies | 2002 | EXH |
U | ||||
Unpacking Europe: Towards a Critical Reading | Iftikhar Dadi and Salah Hassan | NAi Publishers | 2001 | EXH |
The Uncertain States of America Reader | Noah Horowitz and Brian Sholis | New York/ Berlin: Sternberg Press | 2006 | EXH |
V | ||||
50th Venice Biennale: Dreams and Conflicts – The Dictatorship of the Viewer | Francesco Bonami | Skira Editore/Marsilio Editori | 2003 | EXH |
52nd Venice Biennale: Think with the Senses – Feel with the Mind. Art in the Present Tense. | Robert Storr | Marsilio Editori | 2007 | EXH |
49th Venice Biennale: Plateau of Human Kind | Harald Szeemann, Cecilia Liveriero Lavelli, and Lara Facco | Electa | 2001 | EXH |
53rd Venice Biennale: Making Worlds | Daniel Birnbaum | Marsilio Editori | 2009 | EXH |
45th Venice Biennale: Aperto 93 Emergency/Emergenza | Léonie von Oppenheim | Flash Art/Giancarlo Politi Editore | 1993 | EXH |
Visite: Von Gerhard Richter bis Rebecca Horn | Beatrice von Bismarck, Eugen Blume, Annette Husch, et al. | DuMont | 2008 | EXH |
48th Venice Biennale: Over All – Aperto | Harald Szeemann | Marsilio Editori | 1999 | EXH |
W | ||||
Who if not we should at least try to imagine the future of all this?: 7 episodes in (ex)changing Europe | Maria Hlavajova and Jill Winder | Amsterdam: Artimo | 2004 | EXH |
Westkunst, Realismus, Mimesis, in: Kunstforum International no. 44/45, 2–3 | Kunstforum International | Kunstforum International | 1981 | EXH |
Wittgenstein | Biographie. Philosophie. Praxis.: Eine Ausstellung der Wiener Secession | Michael Huter, et al. | Secession | 1989 | EXH |
Writings from the 9th International İstanbul Biennial : Art, City and Politics in An Expanding World | Deniz Unsal | Istanbul Foundation for Culture and Arts | 2005 | EXH |
Wild Walls | Leontine Coelewij and Martijn van Nieuwenhuyzen | Stedelijk Museum | 1995 | EXH |
Westkunst, Heute | Kaspar König | DuMont | 1981 | EXH |
Whitney Biennial: 1993 Biennial Exhibtion | Thelma Golden, John G. Hanhardt, Lisa Phillips, and Elisabeth Sussman | Whitney Museum of American Art | 1993 | EXH |
Westkunst: Zeitgenössische Kunst seit 1939 | Laszlo Glozer | DuMont | 1981 | EXH |