Marina Vishmidt is a writer, educator, editor, and critic occupied mainly with questions around art, labor, and value. She teaches at Goldsmiths, University of London, London and the Dutch Art Institute, Arnhem. In 2013, she completed a PhD at Queen Mary University of London, London, titled “Speculation as a Mode of Production in Art and Capital.” She widely lectures and offers workshops on these topics in academic institutions, art institutions, and activist spaces and frequently works with artists, having collaborated with Ruth Buchanan, Chris Evans, Grace Schwindt, W.A.G.E., and Haegue Yang. Vishmidt is also a participant in the group projects Full Unemployment Cinema and Cinenova. Publications include: Speculation as a Mode of Production (forthcoming); and Reproducing Autonomy: Work, Money, Crisis and Contemporary Art (with Kerstin Stakemeier, 2016). She also writes regularly with Anthony Iles and with Melanie Gilligan. She has authored chapters in The Routledge Companion to Art and Politics and in The ECONOMY Reader , and her work on debt, social reproduction, and artistic enterpreneurialism can be found on e-flux journal and libcom.org. She has also written for Afterall, Ephemera, Kaleidoscope, Mute, Parkett, and Texte zur Kunst, among other international periodicals, collections, and catalogues. Vishmidt lives and works in London. [Last updated 2017]
