Christian Höller (born 1966) is editor of springerin–Hefte für Gegenwartskunst and writes extensively on art and cultural theory. Between 2002 and 2007, he was Visiting Professor at l’École supérieure des beaux-arts in Geneva, and from 2006 to 2007, he was scientific editor of documenta 12 magazines. His curated projects include: the exhibition Hauntings–Ghost Box Media, Medienturm Graz, and the accompanying concert series Sonic Spectres, 2011; the special program Pop Unlimited?, the International Short Film Festival Oberhausen, 2000; No Wave New York 1976–84, the International Short Film Festival Oberhausen, 2010, Austrian Filmmuseum Vienna, 2010, and Hebbel am Ufer, Berlin, 2011; and Site.Sound.Industry within the exhibition See This Sound, Lentos Kunstmuseum Linz, 2009. He has edited the following anthologies: Techno-Visionen (co-editor) (2005); Hans Weigand (2005); and Pop Unlimited? (2001). He is the author of the volume of interviews Time Action Vision: Conversations in Cultural Studies, Theory, and Activism (2010). Höller lives and works in Vienna. [Last updated 2011]